Will audiences get Tarragon’s challenging play?
Of all the plays I’ve seen at the Tarragon recently, this English-language premiere of a German production had by far the most muted audience reaction. Hooting was minimal, no one gave a standing ovation and afterward I overheard several theatregoers muttering about not having understood what happened. I liked it — a lot. Nevertheless, at times throughout the play I found myself thinking, a lot of people might enjoy this.
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