Reconciliation events continue in Toronto-St. Paul’s
Almost every day, I learn about another inspiring reconciliation initiative by the outstanding people in Toronto-St. Paul’s.
Read MoreAlmost every day, I learn about another inspiring reconciliation initiative by the outstanding people in Toronto-St. Paul’s.
Read MoreSeven Siblings Theatre presents From the Water, a play by its artistic director Will King, on Dec. 12 to 16 at the Tarragon Extraspace.
Read MoreHere Me follows an intimate dialogue between Aestridr and the audience as she attempts to bridge the lifelong disconnect between her atypical deaf identity and the rest of the world.
Read MoreAlways Unique, Totally Interesting, Sometimes Mysterious is a one-woman show, created by Alyson Parovel, about the challenges and triumphs of living with autism.
Read MoreDon’t be fooled by the title — Midsummer (a play with songs), has little in common with the Bard’s tale of mistaken identity
Read MoreEvery reductive stereotype about my generation is embodied by at least one of the eight characters in The Millennial Malcontent.
Read MoreWatching Sequence at the Tarragon is like listening to an ambitious 90-minute prog rock album that ends with a 30-second record scratch.
Read MoreThe audience I saw The Realistic Joneses with on opening night seemed to like the play. I was bored.
Read MoreIf you want to see The Summoned, you probably shouldn’t read this review. It’s the sort of play that works best if you walk in knowing nothing — especially the main plot twist, which I spoil below — because without its secrets, what little value this story has vanishes.
Read MoreIf you asked five different theatregoers what You Will Remember Me was about, you’d hear five different responses.
Read MoreThere’s something magical about a good fairy tale: the way it evokes a sense that anything could happen, and often does, while reaching a conclusion that somehow feels both unpredictable and inevitable. Mustard by Kat Sandler captures that magic too.
Read MoreI’m not the audience for this play. I haven’t been the target audience for shows at the Tarragon before, but I’m especially wrong for this one.
Read MoreWormwood, the new Tarragon Mainspace production set against the tumultuous backdrop of Ukraine’s 2004 presidential elections, largely avoids the trap of being consumed by Big Ideas by presenting itself as a modern folktale.
Read MoreThe Trouble With Mr. Adams is that, unfortunately, his show is a return to form for the Tarragon.
Read MoreOn both the page and Tarragon’s stage, An Enemy of the People culminates with a rousing speech condemning the lengths to which politicians, business leaders, the media, and the people they represent will go to protect their interests at the expense of others.
Read More